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长春市妇幼保健院是正规的安典范

2019年09月19日 08:32:11|来源:国际在线|编辑:问医在线
My excitement bee watching Teenage Mutant Ninja Turtles, the latest reboot the 1980s’ comic series, brought back the feeling of when I was a kid, waiting in front of the TV every day after school a -minute episode.即将上映的电影《忍者神龟:变种时代(以下简称《忍者神龟)让我想起了世纪八十年代忍者神龟动画片播出时,还是孩子的我,每天放学后守在电视机前看那分钟剧集时的兴奋Compared with other popular cartoons from my childhood, the idea of four turtle brothers with a pizza addiction living in the sewer wasn’t nearly as cool as, say, the Transmers fighting to save the planet.相较于儿时观看的其他动画片,住在下水道里爱吃披萨的四个忍者神龟也许没有拯救地球的变形金刚那么酷But the Ninja Turtles were weirdly unique, and the crime-fighting chelonians known as Leonardo, Michelangelo, Donatello and Raphael have proven themselves to be surprisingly resilient over the years. They’ve starred in four separate TV series (in 1987, 1997, and ), a 1990 live-action movie, and an animated feature in .但他们的独一无二却是无人能敌的事实明,这四只惩恶扬善的神龟——达芬奇、米开朗基罗、多纳泰罗和拉斐尔,历经多年依旧大受喜爱:他们(分别于1987年,1997年,年和年)“出演”了四版电视动画,1990年上映的真人电影,以及年的动画电影Teenage Mutant Ninja Turtles opens with an engaging, animated prologue that recalls how our four half-shelled heroes were birthed from a lab experiment bee taking up secret residence in the tunnels of the New York sewer system. Years later, New York faces a threat in the m of ruthless villain Shredder and his menacing Foot Clan.影片一开场,生动而引人入胜的开场白就让我们回忆起秘密居住在纽约地下管道前,四个身披硬甲的主人公在实验室里诞生的画面几年后,纽约受到来自无情大反派施莱德和他率领的异族的威胁The cameras then turn to Megan Fox, who as television news reporter April O’Neil desperately tries to convince her incredulous boss she’s got proof of vigilantes battling Shredder’s troops.然后,镜头转向了梅根?福克斯饰演的电视台新闻记者爱普莉尔?奥尼尔,她正拼命说老板,说自己已经掌握了治安队与施莱德战斗的据Despite the nostalgic storyline, director Jonathan Liebesman (Battle Los Angeles) gives the four heroes a modern gloss. And thanks to his technical treatment, the turtles’ movements look highly realistic.虽然故事情节怀旧,但是导演乔纳森?理贝斯曼的润色让四个英雄颇具现代感同时,他在技术上的处理也让神龟的动作看来十分逼真As an action movie, Teenage Mutant Ninja Turtles is loaded with inventive touches during big action sequences, including one chase down the side of a snowy mountain involving our turtles, April and a bunch of jeeps, which is quite different from the usual car chase or rooftop battle scene featured in most other action flicks.作为动作电影,《忍者神龟中的大量动作场面都充满新意,比如神龟们、艾普莉尔和吉普车队在雪山一侧的追逐场面,就与很多动作电影的汽车追逐或屋顶打斗完全不同,让人眼前一亮The movie also features the distinguishable traits of a Michael Bay (Transmers) production. Like the Transmers series, the characters in the film are actually supporting roles to a human character, Megan Fox’s April. And of course, humor comes in the m of heavy pop-culture references.作为监制,迈克尔?贝(《变形金刚的导演)作品的特点也可从影片中看出和《变形金刚系列相似,片中的人物实际上都是为了烘托梅根?福克斯饰演的艾普莉尔这个人类角色当然,片中的幽默也大多来自流行文化These were all well-calculated decisions, actually. Kids love the animated turtles. Teenagers can appreciate the mixture of straight action with wisecracks, not to mention the presence of the alluring Fox.这些安排显然都是经过精心计算的:孩子们喜欢动画里的忍者神龟青少年则更喜欢行云流水的动作,加上妙语连珠的台词,更不要说还有迷人的福克斯Add in flashes of nostalgia adults such as myself, and Teenage Mutant Ninja Turtles appeals to a wide demographic. I’m aly looking ward to the next two installments in the trilogy.而电影里的怀旧风正迎合了像我这样的成年人《忍者神龟吸引了各年龄段的观众我已经开始期待这个系列接下来的两部影片了 3733Beyonce took the stage at halftime of Sunday Super Bowl at New Orleans Superdome. She sang a medley of her biggest hits, including ;Crazy in Love; and ;Halo.;美国时间上周日,第7届超级碗在新奥尔良梅赛德斯穹顶体育场举行中场休息时间,碧昂丝献唱,其中包括;Crazy in Love;和;Halo;两首经典曲目While Beyonce received a great deal of heat over her lip-syncing less than two weeks ago at President Obama inauguration, there was mostly praise her live permance Sunday.虽然两周前关于碧昂丝在奥巴马就职典礼上假唱的传言风波还未过去,但是碧昂斯周日的现场演唱还是广受好评In his review of the halftime show, THR David Rooney wrote: ;Beyonce turned on a high-energy, sexually charged permance with exciting multimedia elements. ;对于碧昂丝的中场秀表演,THR的大卫罗尼是这样写的:“碧昂丝带来了一场高能量、性感并带有多媒体元素的表演”The reed Destiny Child sang ;Bootylicious,; ;Independent Woman; and Beyonce ;Single Ladies.;碧昂丝和真命天女重聚,并演唱了《Bootylicious,《Independent Woman和碧昂丝的单曲《Single Ladies 68

Mila Kunis just keeps on raking in those sexy titles.米拉·库尼斯继续在各种性感女星排行榜上占据一席之地After being named Esquire ;Sexiest Women Alive; in October and Details ;Most F*ckable Celebrity; last month, the gorgeous 9-year-old has now snagged another honor: FHM ;Sexiest Woman In The World ,; beating 99 other ladies and countless more who didnt even make the list.继去年月被《时尚先生杂志评为“最性感在世女性”、上月被《Details杂志评为“最性感明星”后,这位美丽动人9岁女郎又得到一个荣誉称号:《男人装杂志评选的“年最性感女性”,她打败了在榜上的其他99位女性和不计其数的未上榜女性Kunis was No. 9 on FHM list last year.库尼斯在去年的榜单上排名第九Rihanna, who came in at second place, earned her runner-up position ;following another -month period in which she was absolutely bloody everywhere and yet we all entirely failed to get sick of her,; per FHM.蕾哈娜在榜单上排名第二,获得亚军,《男人装表示:在这个月以来,她真是无处不在,但是我们依然没有对她审美疲劳Other notable ladies who made the list include Kate Upton (No. 8), Taylor Swift (No. ), Kim Kardashian (No. 38), and Sofia Vergara (No. 0.)其他上榜的明星还有:凯特王妃(排名第八),泰勒·斯威夫特(第名),金·卡戴珊(第38名),和索菲娅·维加拉(第0名)- 5

“GONE GIRL”, David Fincher brilliantly glacial adaptation of the bestselling novel about a toxic marriage by Gillian Flynn, opens as the book did: thick with d. The back of a woman head and a man voice, his tone somewhere between caring and creepy. ;When I think of my wife, I picture cracking her lovely skull, unspooling her brains. Trying to get answers: What are you thinking? What are you feeling? What have we done to each other?” Then, abruptly the head moves round and the screen is filled with the chilly smile of Rosamund Pike as Amy Dunne, the wronged wife, her face every bit as inscrutable as that voice. Something is off—but it not yet clear what.大卫·芬奇执导的新片《消失的爱人,是对吉莉安·弗琳的同名畅销小说的出色改编,必定经过一番深思熟虑原著讲述的是一场相互折磨的婚姻,正如小说开篇写道:被恐惧包围影片中,妻子的头背对着,丈夫在说话,关切的语调中有隐约透着不安“每当想起我妻子时,我会想象着撬开她那真实存在的脑壳,理清她脑袋里的思绪努力地想要问清楚:你到底在想什么?你到底是什么感觉?我们到底对彼此作了什么?”接着,影片中由罗莎曼德·派克饰演的艾米·邓恩突然转过头来,荧幕中充斥着她那令人心底发寒的笑容这个’无辜‘的妻子,脸庞上充满着谜一般的感觉,不亚于她的话语一定是哪里出问题了,只是还没弄明白罢了Rumours that the film adaptation of ;Gone Girl; could have a new ending billowed following an interview with Ms Flynn, who wrote the screenplay herself and who claimed that the film would have “a whole new third act”. Nervous enthusiasm ensued, suggesting that much of the ;pre-sold audience”—those six million ers—wanted not just to “see” the book but to re-experience the thrill of not knowing, that carefully balanced sense of unease.通过对编剧弗琳女士的全面采访可知,改编的影片将会有一个完全不一样的结局亲自执笔的编剧还声称这部影片一定会展现一种“全新的演绎”紧张的氛围中满怀期待,说明众多“预售观众”,即这600万读者,不单单满足于原著,更想在影片中再次体验意想不到的惊悚,以此来小心抚平心里的不安You won’t find any spoilers here. But whether or not this version has a new ending, there is no question about one thing: the book eboding is recaptured here in full. Everything teeters precariously on the dubiousness of different perspectives. We have two unreliable narrators: Nick Dunne (Ben Affleck), a mer New York writer turned Midwest bar-owner, who moved back to his family base in Missouri a few years back with his reluctant, snooty wife, Amy. They have lost more than just their jobs in the recession; they have lost their respect each other too. Whose fault is that? It depends on whether you’re hearing the tale from Amy or from Nick.在这片报道里你不会遭到剧透但是不管影片是否有一个全新的结局,可以肯定的是:原著中的不祥预兆将会再次袭来,直至影片结束任何一点分吹草动都会让你百般猜测影片中的两个主角都值得怀疑:尼克·邓恩(本·阿弗莱克),之前是纽约作家,而后成为中西部酒吧吧主,几年前和傲慢固执的妻子搬回密苏里州的家中他们不仅在经济萧条期都失业了,也失去了对彼此的尊重到底是谁的错?这取决于你是相信艾米的自白还是尼克的讲述On the morning of their fifth wedding anniversary Nick comes home after an elevenses bourbon at the bar he owns with his twin sister Margo (Carrie Dickens) to find Amy missing and a glass table knocked violently to the ground. He calls the police and the search begins. But Nick isnt as upset as he could be (the “killer” smile Mr Affleck produces Nick’s first encounter with the media is a particular delight) and suddenly the public belief in his guilt settles on him like a rash. Mr Fincher skips artfully between Nick’s story and Amy’s, using passages narrated from her diary. The two perspectives just don’t match up. Is Nick a brute? A thoughtless philanderer with violent tendencies? Or is Amy an ungiving arch-manipulator?结婚五周年纪念日那天早上,尼克和在自己的酒吧里喝完午前威士忌酒,回到家中发现艾米失踪了玻璃质的客桌被暴力地打破,碎了一地尼克报了警,于是搜救行动开始了但是尼克没有表现出一个丈夫该有的紧张(本·阿弗莱克饰演的尼克在首次媒体见面会上露出被认为“杀手般”的笑容,公众以此断定他一定很高兴)导致公众突然一边倒,轻率地相信罪魁祸首是他大卫·芬奇借助艾米日记里的片段来艺术化地使尼克和艾米的故事若隐若现从两方出发所展现的事实并不吻合尼克真的很残忍吗?他是一个没有头脑而又带有暴力倾向的吗?抑或艾米是一个心胸狭隘的幕后操控者?What the film naturally loses in ambiguity as a result of having to show its protagonists rather than just describe them, it gains from the two remarkable central permances. Ms Pike, as the insecure Manhattan trust fund princess constantly outdone by the children’s book character—Amazing Amy—she inspired her parents to write, is a frosty, neurotic nightmare. As Nick, with his square-jawed, alpha-male insouciance, Ben Affleck is just the antithesis she’s been looking . both actors, a blank look that has in the past made critics question their acting ability now serves them well. We too want to see inside their pretty heads, but we can’t.当影片有意地陷入一种模棱两可的局面来展现故事主人公而不是简单描述,它获得了两种出发点完全不同的效果作为曼哈顿风险信托基金会的女掌门人,派克女士一直是饰演原著角色的不二人选惊艳的艾米,一步步诱导着父母记录下这一场冷冽而带有神经质的梦魇影片中的尼克,方下巴,漫不经心地展示他的大男子主义,本·阿弗莱克绝对适合与派克饰演对手戏两个演员,过去因为生硬的表情而招来种种对演技的质疑批评,而今却令人刮目相看我们也想搞清楚他们的心思,但是做不到The audience see the marital cracks bee the couple do; both are trying too hard to be what they think the other wants. The flashbacks are altogether too sugar-coated, so perfect that they don’t quite seem real. “We’re so cute I want to punch us in the face,” says Amy, coolly fusing sentimentality and aggression. Viewers will too.观众最先看到的是影片中夫妻破裂的婚姻关系,两个人难以理解对方到底想干什么倒叙手法一滴不漏地粉饰着故事,以致不真实“我们可笑到想要在对方脸上打上一拳”艾米百感交集,冷漠地控诉道旁观者也站在艾米的立场上Where many ers preferred the first half of the book to the trashier, brassier second half, the film actually improves as it goes along. It thrives on the melodrama so perfectly encapsulated by the distasteful TV shows that condemn Nick as a wife-killer bee he has even been arrested. It is dark but very funny too. We laugh partly because we are complicit. The film plays up an expectation of sexism. Nick plays the humbled adulterer; Neil Patrick Harris puts in an excellent permance as a hapless stalker, eliciting both ridicule and sympathy. Tyler Perry, better known as a successful director, is a breath of fresh air as the sharkish attorney who rushes to Nick’s rescue, even though he too believes Nick to be guilty.很多读者对原著前半部分的冗长无趣表示抱怨,影片弥补了这个不足这个惊悚的故事出在对角色有力塑造,尼克还未被定罪,但是麻烦的电视媒体却把他当做一个杀妻凶手来谴责影片足够黑暗,但是也饶有趣味我们大笑一部分是因为我们很复杂影片中涉及性别歧视的话题尼克在影片中是一个懦弱的出轨丈夫尼尔·帕特里克·哈里斯饰演的不幸的跟踪者活灵活现,可笑又让人同情为人们所熟知的知名导演,泰勒·派瑞饰演的尖牙利嘴的律师是尼克的一根救命稻草,他极力帮助尼克摆脱困境,即使他认为尼克最有嫌疑Some people said that this was a film that only Mr Fincher, the director of “Seven” and “The Girl with The Dragon Tattoo”, could have done well. They were right. Mr Fincher has managed to pace this perfectly, showcasing snippets of scenes bee ruthlessly cutting away and moving on to the next.一些人认为这部电影也只有芬奇可以使它臻于完美,他曾执导《七宗罪和《龙纹身的女孩他们是正确的在干脆利落的剪辑面前,芬奇都会极力让每一个场景的片段展示做到无可挑剔,最后才转到下一幕“Gone Girl” isn’t Mr Fincher best film. It suffers from too many of the same flaws as the novel: a tendency towards absurdity that undermines its granular observations about the reality of domestic life. And yet this could be Mr Fincher most exemplary film. He is known his cold, clever precision, and “Gone Girl” is ever so cold, ever so precise. It is drowning in muted colours and a sense of inevitability. Like Ms Flynn novel, its cleverness lies in the fact that it is so raw and yet so empty at the same time. This may not be the perfect film—but it is a perfect adaptation.《消失的爱人不算是芬奇的巅峰之作影片像小说一样有着诸多缺陷:荒谬化的倾向削弱了影片对家庭生活真实性的细致剖析力度然而它却是芬奇最具代表性的影片芬奇以他的冷峻和深入精准的风格被人熟知,而《消失的爱人恰恰透露着这种风格你会被电影中呈现的压抑色调和宿命感所吞没弗琳的小说也一样,精在于书中阴冷而空旷的格调小说也许不是最好的,但电影绝对称得上是一部完美的改编之作;Gone Girl; is out now《消失的爱人现在重磅来袭 377

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